2003-04-24
Alan Kay
"Daddy, are we there yet?"
"The last 20 years or so have been pretty boring"
everything's been aimed at businesses, who aren't that creative
they use "instrumental reasoning" [opposite of lateral?]
so we need to look at children, and how they use it
grand challenges from 1963
. real enduser computer lieracy
. real scalable group collaboration
. real computer & communication xxx
. real computer science & enginerring
ARPA's goal was to tightly couple human brains and computing machines -- this
happened in science, which has been revolutionised. but not most people.
instrumental reasoning: judgement of tool or idea presented to a person solely
in terms of the current goal structure of that person. new tool or idea
accepted or rejected based on whether it contributes to current goal
adults have way too much context. way to many things that work "pretty well",
which is the enemy of qualitative improvement.
playing Sketchpad UI from 1963: plotting points with a light pen (someone
called Ivan doing this?). first clipping window. zoomable interface, canvas is
1/3 mile on each side. Sketchpad is a graphical spreadsheet: you could add
rules to lines (make lines parallel, for example): so the spreadsheet does what
you say, and also enacts the rules in the background. "real time constraints
solver"
they asked what else it could do, and they said it could model things: rules
like "make these 4 line perpendicular" then base a circle around the centre of
that -- and you come up with a model of a riveted cross with a roof.
and also there are *instances*! rotatable and scalable. multiple instances,
based on a master -- the world is based on instances of masters, which we call
"ideas".
sketchpad ran on: TX2 (or DX2?) was size of a room. half of the thing was
devoted to the display. 0.5 MIP
first example kay knows of an object oriented system.
everything in Sketchpad constructed like this -- even letters and a text
editor. it took 1 year to build in machine code by one person.
when kay asked him how he did this:
"i didn't know it was hard." [hey! structure of scientific revolutions]
thesis pdf is online from MIT press, $5-6
* Original video game, PDP1 Spacewar at MIT 1962
wicked, based on Doc Smith's Lensman ideas for spacewar! [there were big
circles where you could see and control fleets from the outside. I didn't
realise that was such a big idea, but I guess it was -- removing the
embededness. isometry is a big abstraction from the usual input/output cursor]
* PDP1 Interactive LISP
LISP 1.5 programmer's, John McCarthy only 16 when he made this. metastructures,
etc [I missed some of this, I need to get somebody else's notes on this. What
was the thing Kay said was so special about this]
* Engelbart NLS
this is 5 years later - 1968
"Engelbart is the true father of personal computing"
[Kay just stopped his program, played around with the presentation. "authoring
is always on" he says. what was it? looked cool. clicked on the movie, loads of
action buttons appears around it. it's is Mac-like cursor]
Engelbart's voice sounds like one of those trance tracks. echo, 1960s voice.
the video is the famous one: he's making a nodes and arc picture, showing that
clicking on a library pulls up a database of overview books.
Kay mentions: the response time was subsecond, 192k, 0.5MIP, 40 miles away
timeshare
how did they do it?
-> they really wanted it
and now we just settle for much much less
now demoing the Engelbart video of hypermedia: collaboration with a video in
the top corner, showing somebody else using the system, opening files, etc.
[Kay's just saying: everything we're doing, they were doing it in the 60s, and
way better. We don't want it enough now.]
this immersive sharing was so popular they'd use it in a single room: all with
shared cursors, etc. it was the way of life at SRI in *1968*.
* Kay's history.
. Sketchpad in 1966
. biological background gives idea of "dynamic objects"
. 1968, Rand, incredible pen based system. wow. drawing boxes with a lightpen
that snap to vecotr boxes. write on the boxes [that snap to letters?] draw
decision elements as arrows, make erasure marks, etc. Gabe Roner's recogniser
from 1968 is better than Graffiti is now.
"it's all written up. but of course our field doesn't read any more"
there was an idea BACK THEN that kids would have wireless laptops, building
their own versions of spacewar. why haven't we done it? there's been no effort
towards this. we should be building for children -- children are the only
people who do 2 handed interfaces like engelbart did.
[wow. so why *haven't* we done this?]
Another illustration:
Xerox PARC & Interim Dynabook
Jordan JHS Palo Alter - 1975
* "What is Enduser Computing Literacy"
he's drawn a crude car in a painting program. he can turn it. it's got
behaviour, click a button and it moves forward. visual system to write a script
that controls the movement of the car.
"that's sort of like kissing your sister though, because what you really want
to do is something like a steering wheel" so he paints one of those, opens a
window and the header figure (among others) are listed, so he drops that figure
into the script window, and controls the car with that.
"why shouldn't all programming be like this?"
* "Real Science with 11 year olds"
video of kids with various objects, being dropped off a building [the objects,
not the kids]. after showing the video of people timing it, kay gets a video of
the movie,
and because this ia presentation system with a uniform object model, he just
grabs every 5th frame of the movie really easily, then measures the difference
between frames by stretching rectangles between them.
then he writes a script to simulate a ball. there are categories on the
properties, like "geometry"
[this is mindblowing. what programming show be like]
college students don't get this far (gravity)
"point of view is worth 80 IQ points"
once you've simulated that, you can reuse it to add to a script about a
spaceship.
[alan kay's timeline history of multimedia
http://www.coe.uh.edu/courses/cuin7305/students/class02/multimedia_timeline.
html ]
[i get the feeling that none of this is too difficult *if* you think about
stuff really really hard (i mean, you don't need to be a
new-idea-every-10-seconds-super-genius). this interface is great, fully OO.
change the colour and the colour interface comes up. you could draw all this
stuff on paper IF YOU WERE SUFFICIENTLY CROSS-DISCIPLINE and make something
really great. then program it.]
now there's a very simple little script that negotiations turns and drives a
little car down a road.
* Particles have Zen
another simulation system, with ants crawing around [this is all in Squeak?
http://www.squeak.org/download/ -- downloading now...]
* What is Scalable Group Collaboration
they're now collaborating between the two big monitors [okay, so the guy
collaborating did TCP/IP... whoa]. alpha software
late 60s and early 70s, it was realised the internet was going to make
engelbart's collaboration really difficult (because it requires a central
server). there are 2^N subgroups on a server of N nodes. [they realised that
then!]
[fuck me]
3d environment on the left, then the 2d screen on the right zooms out and
suddenly we're in a 3d environment with panels all over it. all 3d OO, an
avatar. each panel is a portal. the left is doing things from a first person
POV, replication architecture doing realtime transactions over the internet.
late binding protocol -- message based system. all objects have their own
objects.
every object is different, and can communicate with its peers. so you pull down
the objects to fill in the environments, massively parallel realtime
transaction stuff. then messages are synced up.
left screen manipulated a portal into another space. he enters it, and he's in
a new 3d space. left turns round, and sees alan on right screen enter the
portal into the 3d view of the surface of mars.
[this is written in smalltalk and opengl. rendering engine is 100%
smalltalk/squeak]
[i'm still mindblown about the earlier thing. the entire presentation.. then
alan pulled back, and we were just looking at a portal in a 3d space. this is
my metaphor for the future.]
left screen has gone into a portal that runs a simulation. there's a flag which
is actually a mass screen simulation. it looks *real*, and this is running on a
tiny vaio. then alan starts spinning the platform. "it just works"
[people in the audience keep laughing nervously. seeing something for the first
time. oh we need to learn our history better]
left screen: underwater space. "vivarium" stuff 15 years ago, this is the
modern instantiation. right screen avatar (alan) turns into a fish.
left screen pops open a paint package and draws a crude fish. then *suddenly*
it pops into 3d, like a helium balloon.
[someone in the audience out loud: "wow"]
now alan draws seaweed, maybe 6 green lines. now alan's made it, and the object
copies itself over to left screen, it's *recreated* there. [this isn't the
xanadu manifestation, btw]
[i can't believe they're doing a live demo]
oh, all of this stuff is live scriptable.
now alan's popped open a documentation browsers in *html* underwater, and a
fish swum infront.
[the person on the left screen is called david]
now, serious environment. it looks like Real Myst. I mean, it looks *good*.
textured environment: trees, aquaducts. in the distance, the avator on the
bridge. [somebody in the audience: "jump!"]
and again!
left screen pulls back yet again: all these portal screens are just within a
scape their own, on a platform floating in space, like Tranquility.
...back to the presentation
"you ahve to have telephony to do collaboration because you're using your hands
for other stuff"
[dammit. the social software guys are *just* getting to this. it's not even in
these guy's *mindset* that you wouldn't build things in a human way]
squeak runs exactly the same of every machine.
funny bit with word-wraps paragraph that suddenly breaks into objects and jumps
around.
he has multiple desktops, for jumping around.
"squeak is a vehicle, not a goal"
he thought they'd killed separate operate systems in 1970s
"using the wrong kind of wood for dracula's stake"
[what is 'late binding'?] -- oh, it lets you make changes the whole time.
and he says:
the OS should be able to maintain its environment, make changes in less than a
second, etc, etc. LISP did all of this in the 1970s.
you can query the system and ask about the objects.
everything we saw, in bytes, he's calculating it now infront of us:
2.8mb.
lines of code: 230,000 lines of code. but it could be 20,000.
have many objects are there? 1.8 million.
...and, ends. [PHEW! this is why we're here!]
kottke says this system we saw is opencroquet
http://www.kottke.org/03/04/030424alan_kay_on_.html
http://www.opencroquet.org/summary.html
there'll be a version at the end of April:
http://www.opencroquet.org/download.html
Slashdot thread:
http://slashdot.org/article.pl?sid=03/03/12/135245&mode=thread&tid=190
at level 4:
http://slashdot.org/comments.pl?sid=56835&cid=0&pid=0&startat=&threshold=4&mode
=nested&commentsort=0&op=Change
with screenshot
http://minnow.cc.gatech.edu/squeak/2901
and more...
http://glab.cs.uni-magdeburg.de/~sqland/Croquet0.1.pdf
and Cory's notes:
http://craphound.com/kayetcon2003
‘Yes, we’ll see them together some Saturday afternoon then,’ she said. ‘I won’t have any hand in your not going to Cathedral on Sunday morning. I suppose we must be getting back. What time was it when you looked at your watch just now?’ "In China and some other countries it is not considered necessary to give the girls any education; but in Japan it is not so. The girls are educated here, though not so much as the boys; and of late years they have established schools where they receive what we call the higher branches of instruction. Every year new schools for girls are opened; and a great many of the Japanese who formerly would not be seen in public with their wives have adopted the Western idea, and bring their wives into society. The marriage laws have been arranged so as to allow the different classes to marry among[Pg 258] each other, and the government is doing all it can to improve the condition of the women. They were better off before than the women of any other Eastern country; and if things go on as they are now going, they will be still better in a few years. The world moves. "Frank and Fred." She whispered something to herself in horrified dismay; but then she looked at me with her eyes very blue and said "You'll see him about it, won't you? You must help unravel this tangle, Richard; and if you do I'll--I'll dance at your wedding; yours and--somebody's we know!" Her eyes began forewith. Lawrence laughed silently. He seemed to be intensely amused about something. He took a flat brown paper parcel from his pocket. making a notable addition to American literature. I did truly. "Surely," said the minister, "surely." There might have been men who would have remembered that Mrs. Lawton was a tough woman, even for a mining town, and who would in the names of their own wives have refused to let her cross the threshold of their homes. But he saw that she was ill, and he did not so much as hesitate. "I feel awful sorry for you sir," said the Lieutenant, much moved. "And if I had it in my power you should go. But I have got my orders, and I must obey them. I musn't allow anybody not actually be longing to the army to pass on across the river on the train." "Throw a piece o' that fat pine on the fire. Shorty," said the Deacon, "and let's see what I've got." "Further admonitions," continued the Lieutenant, "had the same result, and I was about to call a guard to put him under arrest, when I happened to notice a pair of field-glasses that the prisoner had picked up, and was evidently intending to appropriate to his own use, and not account for them. This was confirmed by his approaching me in a menacing manner, insolently demanding their return, and threatening me in a loud voice if I did not give them up, which I properly refused to do, and ordered a Sergeant who had come up to seize and buck-and-gag him. The Sergeant, against whom I shall appear later, did not obey my orders, but seemed to abet his companion's gross insubordination. The scene finally culminated, in the presence of a number of enlisted men, in the prisoner's wrenching the field-glasses away from me by main force, and would have struck me had not the Sergeant prevented this. It was such an act as in any other army in the world would have subjected the offender to instant execution. It was only possible in—" "Don't soft-soap me," the old woman snapped. "I'm too old for it and I'm too tough for it. I want to look at some facts, and I want you to look at them, too." She paused, and nobody said a word. "I want to start with a simple statement. We're in trouble." RE: Fruyling's World "MACDONALD'S GATE" "Read me some of it." "Well, I want something better than that." HoME大香蕉第一时间
ENTER NUMBET 0016www.jyyczz.com.cn
guasheng.net.cn
jsqfck.com.cn
www.hdcsht.com.cn
fzbtgu.com.cn
rzzxxu.com.cn
pudis.com.cn
rjneiy.com.cn
www.plklny.com.cn
www.vx8news.com.cn